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Resigner

by 8 HOUR ANIMAL

supported by
Nicholas G.
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Nicholas G. Visceral. Just purely visceral. That's all I have to say about this album. It is as ugly as possible without sacrificing any quality. Brilliant work.
nahzfura2
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nahzfura2 As heard on Grave Convulsions on Gimme Metal, Episode 92! Favorite track: Oblivs.
Baphomet Wolf
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Baphomet Wolf right on the edge of impossible to listen to
horrible beyond belief and some
GOOD JOB!!
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"Resigner" is industrial metal, but not in the sense that it tries to ape Godflesh, Ministry, etc. Instead, 8 Hour Animal captures the confrontational, transgressive feel of early industrial & filters it through a metal lense. What I love about this record is that it cuts right to the bleeding edge of discomfort, giving the tracks an exhilarating, taboo quality, as if any minute a cop is going to kick down my door for spinning it. Favorite track: Pushing Myself Down.
more...
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1.
Almost Free 06:22
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Oblivs 05:04
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Wake 09:21
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SRUIN145
The sound of dissolving reality, shattered nerves and unraveling hope. Ruinous one-man blackened harsh industrial hallucination 8 Hour Animal debuts with "Resigner", a nerve-wrecking full length offering of vitriolic post-industrial annihilation that both celebrates and re-imagines the imperious deconstructionism and experimentalism of glorious acts like Controlled Bleeding, :Wumpscut:, Wolf Eyes, Godflesh, Skinny Puppy, Skullflower, Ministry, Incapacitants, Coil and beyond. Through a masterful transfiguration of disorienting atmospherics, oppressive soundscaping and raw intensity, on "Resigner" 8 Hour Animal blurs beat-driven electronic industrial, scorching power electronics, raw punk and black metal, blackened metallic drone, dark ambient, and pure noise into an hallucinogenic and caustic forty-plus minute mechanized nightmare of pure post-industrial chaos and oblivion.

credits

released August 6, 2021

Written and recorded by J.
Mastered by Josh Bonati
Artwork by P. Van Trigt
Design and layout by MA

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Sentient Ruin Laboratories Oakland, California

Sonic warfare.


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