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To Crown All Befoulment

by DEARTH

supported by
Kirk Gauthier
Kirk Gauthier thumbnail
Kirk Gauthier I will readily and openly admit I’m not a big death metal guy, but this album has such a perfect blend of death and black metal that it was basically love at first blast beat. It combines all my favorite aspects of death and black metal with basically none of the parts I don’t like, so I can’t help but recommend this one. It grabs you by the throat from the moment it starts and doesn’t stop till the end. Favorite track: Autoasphyxia.
Dan Curhan
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Dan Curhan A neat blackened death offering that offers excellent psychedelic stretches amid blistering riffage and savage vox. The songwriting is quite good. The songs work really well. There's organic and fitting dynamics with thoughtful transitions - at times it feels like deathdoom, but they always crank the tempos and intensity back up into furious explosions of heaviness. It's super well done.
gckator
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gckator Its crazy good and addicting. Favorite track: Anthropocene Through Burial Mounds.
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Autoasphyxia 06:31
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Blight 06:07

about

SRUIN105
Oakland black/death metal plague wielders Dearth finally debut with their long awaited and highly anticipated first full-length album "To Crown All Befoulment", a sonic reign of terror clawing deep into the most wretched, abominable, and hideous realms of human nature. Nihilistic beyond comprehension and sonically devastating, on the crushing debut LP Dearth explore incomprehensible thresholds of disgust and abjection through a sonic arsenal forged deep into in the most tormented circles of hell, unleashing a cataclysm of dark death metal horror that will leave the listener scarred and ravaged. Thorough an inescapable maze of oppressive death metal riffs and malefic atmospheres, the Oakland death-bringers have drawn influence from extreme metal titans like Dead Congregation, Deathspell Omega, Lucifyre, Demoncy, and Pseudogod to assemble a mortal weapon of mass extermination that symbolizes and glorifies the complete and implacable eradication of humanity in its every form and manifestation.

credits

released June 19, 2020

Recorded and mixed at Earhammer in Oakland CA by Greg Wilkinson
Mastered by Justin Divver
Graphic layout by Justin Divver
Artwork by Ike Greca

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about

Sentient Ruin Laboratories Oakland, California

Sonic warfare.


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